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6
working with
the living











Working with natural, biodegradable materials
only tempered my frustration with waste;
It was a necessary stage in my creative evolution,
but a myopic, juvenile approach to working with nature.

I tapped into the surface qualities of nature,
and neglected the strength and wisdom
that it truly holds,
because I was working with nature,
when it was no longer living.
Fungi was my first  l i v i n g  collaborator,
my first non-human non-animal friend.


I learned what it liked
and didn’t like. 
 

I nourished it and
gave it space to grow.
I designed the environment
that would bring out its best.
The work took on a life of its own,
the fruit of our connection/relationship.
I have always felt connected to the materials I work with,
but mycelium responded to my hand and pressures,
with a depth and complexity,
that could only come from a living organism.
Working with mycelium gave me the opportunity
to truly share authorship with a material.
Preserving mycelium required me to dry it.


Dried, it still retained most of
its unique qualities.




Working with fungi in this capacity
still feels incomplete.

I was still killing it to preserve it,
keeping it alive with an expiration date,
effectively stunting its  f u l l  potential,
limiting its living properties,
for futile purposes.
I envision materials that stay alive with us,
that continue to breathe and remediate,
while fulfilling its other purposes of
clothing, embellishing, sheltering.
I no longer wish to create in ways
that take and deplete.
I only wish to work at that which
heals us and the world.
So I am truly a conduit for creation,
a vessel for the wisdom and magnificence of nature.